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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。查理（拉兹·阿隆索 Laz Alonso 饰）和雷（多米尼克·隆巴多兹 Domenick Lombardozzi 饰）是两名经验十分丰富的法警，面对越来越多的越狱事件，他们深深感到变革的必要，对于他们来说，能够成功追捕罪犯的最佳人选并不是警察，而是罪犯本身。 就这样，一个秘密小组在查理和雷的管理下被组织了起来。心理学家劳埃德（吉米·辛普森 Jimmi Simpson 饰）、黑帮骨干丹尼尔斯（马尔科姆·古德温 Malcolm Goodwin 饰）和赏金猎手之女艾瑞卡（赛琳达·斯万 Serinda Swan 饰）成为了组里的主要成员。特殊的是，以上三人虽是专家，但同时亦是囚犯，他们得到了查理和雷的承诺，只要协助破案，即能重获自由。将筹码压在这些囚犯身上的查理和雷能够获得成功吗？。粗鲁的家伙Kalle带着很多现金回到家乡，尽管只有一个念头：得到Trine，镇上最漂亮的女孩。但是她的未婚夫确实妨碍了他。。