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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。雕刻的毫厘之间,时光流著,便是匠人坚守。一刀一刻,一砖一人,千山万水,千姿百态,以方寸之地再现一片新世界;一木一雕,一生一事,千锤万凿,千难万险,以时间为注共建时空桥梁。功夫台上,是看得见的沉香优雅;功夫台下,是看不见的上下求索。技法有推敲,艺术有斟酌,这里是另一个世界。每一种材质都鲜活生气,毫厘之间,初心不改,便是匠人坚守。。本剧由多个单元故事组成,讲的是一些奇人异事。 「整容大师」:无牌整容大师赵德仁 (夏雨饰) 被法庭控告无牌整容,於是在庭上证明他为人整容实实好事,帮过不少人,不过最後他还是被判罪名成立。 「假婚」:小电影女星秦玲 (刘雅英饰) 为得到在港长期居留,想找个对象秘密假结婚,车房仔张保华 (石修饰) 为钱而答应,却因为东窗事发,导致满城风雨。 「名女人」:舞女刘梦娜 (李香琴饰) 仗义疏财,等候多时终等到情郎老薛的元配身死,并与他结婚,婚後以与旧日老主顾的关系,助老公成为大富翁,不过最後因为她与年青男人勾搭而与老公反目。 「纯情肉弹」:未成年的富家女李玉娜 (陈美璇饰) 因为疏与管教,误入歧途,既吸毒又拍色情片,结果被警方捉拿,判入感化院。 「名校长」:杂工吴大发 (金兴贤饰) 与富人情妇梁若诗识字不多,却以走後门的方法打通各处关节,竟开了一间...。