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该作品1977年诞生，于1980年被剧场版动画化，由竹宮惠子描画的SF漫画『奔向地球』，时隔30年后被TV动画化，将于4月全新登场！ 原作中描写的社会，遭到环境破坏，高度依存计算机，跟我们目前生存的世界十分相似。在那样的一个世界中，对于一群年轻人来说，何谓“正义”，何谓“希望”？ 《地球…》是少女漫画家竹宫惠子连载于《月刊漫画少年》1977年1月号到1980年5月号上的SF漫画作品。共由四个部分构成。该作曾获得过1978年的SF大赏——星云赏漫画部门赏，以及第25届小学馆漫画赏。该漫画已决定制作TV版动画，并于今年4月发送。担任动画监督的是山崎理，机械理念设计为出渕裕，人设为结城信辉。 故事讲述的是距离现代非常遥远的未来——S.D.（Superior Dominance-特殊统治体制，西历3千数百年）的时代，为了拯救环境遭到了严重破坏、徘徊于灭亡边缘...。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。