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居住在上海的秦磊和唐晓雯是一对相亲相爱的小夫妇，在一次逛街途中，晓雯偶然相中并买下一面造型奇特的镜子，而这也成为她离奇恐怖经历的开始。次日一早，秦磊因公出差。晓雯如往常一样起床洗漱，却在镜中看到一个阴冷可怖的长发女子。她惶恐不安地向好有萧雅婷求助。由于晓雯童年的悲伤经历，雅婷便将她介绍给了专供心理治疗的陈医生。然而陈医生的治疗似乎收效不大，晓雯继续受着各种灵异事件所困扰，她不仅经常看见那个长发女子，还能在那面镜子上看到一个陌生的名字。 　　更恐怖的事件随即发生，雅婷离奇自杀身亡，而晓雯竟从家中的镜子里看到了这恐怖的全过程。一切都与那面神秘的镜子息息相关……。这部纪录片真实再现了德国电影大师沃纳·赫尔佐格（Werner Herzog）用近五年的时间在秘鲁亚马逊热带丛林中艰难拍摄完成震撼世界的名片《陆上行舟》（Fitzcarraldo）的过程。本片记录了这段电影人寻找梦想的过程，但这绝不是一部现今发行电影DVD时几乎必附的幕后花絮纪录片，他没有对影片吹嘘拍马只是忠实纪录影片拍摄时面对的众多不可思议的困难日子以及一个为了电影近乎疯狂的导演。 《陆上行舟》根据真实事件改编，爱尔兰人Fitzcarraldo酷爱歌剧，他想在热带雨林之中建造一个歌剧院然后请意大利男高音卡鲁索（Caruso）来演唱，为了凑到足够的金钱他买下来一块橡胶田做起橡胶生意，为了往来运输他必须弄一条船到雨林之中，在当地印第安土著帮忙之下，他终于把船从一条运河跨山而过运到了另一条河上。就在他兴奋无比之时，却不知土著有自己的打算，他们把船抛弃在河流...。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。