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阳光明媚的一天，天道一家和早乙女父子享受着这惬意的时光。小茜在收拾房间时，偶然发现一本妈妈生前留下的笔记本，里面全是妈妈精心总结的菜谱，它包含了小霞和父亲、妹妹的所有美好回忆。小茜有感而发，想起了童年时代和母亲的约定。适逢此时，小霞姐姐感冒病倒，小茜自告奋勇担负起全家饮食的重任。虽然有妈妈的菜谱作后盾，但小茜做出的饭菜还是足以杀死所有人。众人各逞其能，指望逃过一劫。危急时刻，乱马（山口勝平饰）的妈妈突然出现，承诺为众人做出美味的饭菜…… 本片根据高桥留美子的漫画《乱马1/2》改编，系该动画的OVA版。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。